Parts of Antonida (“Life for the Tsar”), Donna Anna (“The Stone Guest”), Maria (“Mazepa”), Mlada (“Mlada”), Oksana (“Christmas Eve”), Zemfira (“Aleko”), Francesca (“Francesca da Rimini”, Leonora (“The Troubadour”), Leonora (“The Power of Fate”), Elisabeth (“Don Carlos”), Mimi (“La bohème”), Liu (“Turandot”), Margarita (“Faust”), Donna Anna (“Don Juan”) and Countess (“The Marriage of Figaro”).
Rachmaninoff’s choral symphony “the Bells”, Puolenc’s Stabat mater, Britten’s War Requiem, Symphony No. 14 by Shostakovich, Szymanovsky’s Stabat mater, Zemlinsky’s Lyrical symphony; as well as song cycles, romances and songs of Strauss, Berg, Schoenberg, Mussorgsky and Shostakovich.
Soprano parts in cantatas, masses, Passions by Bach, Pergolesi’s Stabat mater, Requiem and Masses by Mozart, the Beethoven’s Symphony No. 9 and the Missa solemnis, German Requiem by Brahms, Rossini’s Stabat mater, Salve regina and Masses by Shubert, Verdi’s Requiem and Te Deum, Bruckner’s Te Deum, Dvořák’s Stabat mater, Fauré’s Requiem, Mahler’s symphonies №2, №4 and №8.
Rachmaninoff’s choral symphony “the Bells”, Puolenc’s Stabat mater, Britten’s War Requiem, Symphony No. 14 by Shostakovich, Szymanovsky’s Stabat mater, Zemlinsky’s Lyrical symphony; as well as song cycles, romances and songs of Strauss, Berg, Schoenberg, Mussorgsky and Shostakovich.
Marina Shaguch has toured in Germany, France, Italy, the USA, Scotland, Finland, Holland and Israel. She has performed with the symphony orchestras of Tokyo, San Francisco, Hartford, Houston, Rotterdam, the American Symphony Orchestra, the Las Vegas Philharmonic Orchestra, the Rotterdam Philharmonic Orchestra and the Scottish Royal Orchestra.
She has collaborated with many outstanding contemporary musicians including conductors Leon Botstein, James Conlon, Michael Tilson Thomas, Valery Gergiev, Eri Klas, Vladimir Ashkenazi, Andreas Delfs, Christoph Eshenbach, John Ashling, Eliahu Inbal, Alexander Vedenkov, singers Sergei Leiferkus, Plácido Domingo and many others.